{"id":8945,"date":"2023-02-21T09:30:00","date_gmt":"2023-02-21T08:30:00","guid":{"rendered":"https:\/\/sceaux-lagazette.fr\/?p=8945"},"modified":"2023-02-22T10:10:48","modified_gmt":"2023-02-22T09:10:48","slug":"aline-piboule-au-piano-grace-talent-et-empathie","status":"publish","type":"post","link":"https:\/\/sceaux-lagazette.fr\/index.php\/2023\/02\/21\/aline-piboule-au-piano-grace-talent-et-empathie\/","title":{"rendered":"Aline Piboule au piano : gr\u00e2ce, talent et empathie"},"content":{"rendered":"\n
La schubertiade de ce 14 janvier \u00e9tait consacr\u00e9e au r\u00e9cital d\u2019une musicienne seule sur sc\u00e8ne derri\u00e8re son piano : Aline Piboule. C’est une pianiste engag\u00e9e, attach\u00e9e \u00e0 la transmission aux jeunes et au partage avec le public. Ce concert a r\u00e9v\u00e9l\u00e9 combien elle r\u00e9unit gr\u00e2ce, talent et empathie.<\/p>\n\n\n\n
Aline Piboule Schubertiade du 14 01 23 clich\u00e9 Fr\u00e9d\u00e9ric N\u00e9grerie<\/figcaption><\/figure><\/div>\n\n\n\n
Empathie<\/em><\/strong><\/p>\n\n\n\n
Au premier contact, les auditeurs per\u00e7oivent imm\u00e9diatement de fa\u00e7on \u00e9vidente l\u2019empathie dont fait preuve naturellement l\u2019artiste. Elle pr\u00e9sente sa prestation et chaque \u0153uvre de fa\u00e7on \u00e9vocatrice et sensible par des propos liminaires syst\u00e9matiques, r\u00e9v\u00e9lant \u00e0 la fois sa perception de l\u2019\u0153uvre qu\u2019elle va interpr\u00e9ter et ce qu\u2019elle repr\u00e9sente pour elle.<\/p>\n\n\n\n
Aline Piboule tient visiblement \u00e0 d\u00e9passer le cadre du concert traditionnel pour cr\u00e9er une proximit\u00e9 avec son public en lui offrant une plus grande complicit\u00e9. Elle d\u00e9taille sa compr\u00e9hension de l\u2019\u0153uvre et sa vision de son interpr\u00e9tation. M\u00ealant ici les styles et les \u00e9poques, elle aime fa\u00e7onner des univers composites in\u00e9dits gr\u00e2ce \u00e0 des programmes originaux plus th\u00e9matiques que purement musicologiques ou stylistiques. Elle cherche \u00e0 renouveler le r\u00e9cital de piano classique consacr\u00e9 \u00e0 un musicien, une \u00e9poque ou un style.<\/p>\n\n\n\n
C\u2019est ainsi qu\u2019elle pr\u00e9sente et commente au pr\u00e9alable la 4e<\/sup> ballade, opus 42, en fa mineur <\/em>de Fr\u00e9d\u00e9ric Chopin : minuit passe, le cimeti\u00e8re et la mer, extraits des clairs de lune d\u2019Abel Decaux<\/em>, El Amor y la muerta (ballade de l\u2019amour et de la mort) extrait de Goyescas volume 2 d\u2019Enrique Granados.<\/em><\/p>\n\n\n\n
Apr\u00e8s l\u2019entracte, elle fera de m\u00eame, avec une \u00e9vidente admiration, pour Beethoven et sa sonate n\u00b032, opus 111, en ut mineur : Maestoso-Allegro con brio ed appassionato <\/em>et Arietta-Adagio molto, semplice e cantabile<\/em>.<\/p>\n\n\n\n
Son propos sur cette \u0153uvre est particuli\u00e8rement chaleureux et admiratif et, apr\u00e8s l\u2019interpr\u00e9tation, Aline Piboule avouera au public que c\u2019\u00e9tait la premi\u00e8re fois qu\u2019elle interpr\u00e9tait cette \u0153uvre en public ! Pour une premi\u00e8re, c\u2019\u00e9tait un coup de ma\u00eetre, un de ces moments magiques pendant lesquels le temps est suspendu et la laideur du monde mis entre parenth\u00e8se\u2026.<\/p>\n\n\n\n
Car c\u2019est bien de cela qu\u2019il s\u2019agit quand la salle, m\u00e9dus\u00e9e et conquise, d\u00e9couvre avec quelle dext\u00e9rit\u00e9 et quelle sensibilit\u00e9 Aline Piboule interpr\u00e8te la si difficile ballade de Chopin, sommet culte de la musique romantique, et avec quelle ma\u00eetrise et dans la communion la plus intime avec l\u2019\u0153uvre, elle fait sienne la sonate de Beethoven.<\/p>\n\n\n\n
Le jeu de l\u2019artiste est d\u2019une richesse de nuances qu\u2019elle semble capable de tout jouer avec brio et \u00e2me. On le constate avec \u00e9vidence par exemple lorsque, interpr\u00e9tant Abel Decaux, elle cr\u00e9e la terrifiante ambiance des Clairs de lune <\/em>et leurs nombreuses et sombres dissonances.<\/p>\n\n\n\n
Gr\u00e2ce<\/strong><\/p>\n\n\n\n
Le jeu est \u00e9l\u00e9gant et d\u00e9licat, il traduit un engagement total dans l\u2019interpr\u00e9tation des \u0153uvres jou\u00e9es.<\/p>\n\n\n\n
Rarement la personne de l\u2019artiste et son interpr\u00e9tation sont \u00e0 ce point \u00e0 l\u2019unisson pour faire vivre \u00e0 l\u2019auditeur un temps de pure gr\u00e2ce\u2026.<\/p>\n\n\n\n
Invit\u00e9e dans les principaux festivals et salles de concert nationaux, elle a \u00e9galement une belle carri\u00e8re internationale.<\/p>\n\n\n\n
Elle a con\u00e7u son premier disque en soliste (Label Artalinna 2017) comme un jeu de miroir entre Faur\u00e9 et Dutilleux, disque qui figure dans la liste \u00ab la discographie id\u00e9ale du piano \u00bb du magazine Classica.<\/p>\n\n\n\n
Son deuxi\u00e8me disque (Printemps des Arts de Monte-Carlo, Mars 2021) est consacr\u00e9 \u00e0 Aubert, Ferroud, Samazeuilh et Decaux, compositeurs fran\u00e7ais du 20\u00e8me<\/sup> si\u00e8cle rarement jou\u00e9s.<\/p>\n\n\n\n
Aline Piboule Schubertiade du 13 01 23 Clich\u00e9 Fr\u00e9d\u00e9ric N\u00e9grerie<\/figcaption><\/figure><\/div>\n\n\n\n
Son deuxi\u00e8me disque (Printemps des Arts de Monte-Carlo, mars 2021) est consacr\u00e9 \u00e0 Aubert, Ferroud, Samazeuilh et Decaux, compositeurs fran\u00e7ais du 20e<\/sup> si\u00e8cle rarement jou\u00e9s.<\/p>\n\n\n\n
Elle est r\u00e9put\u00e9e \u00e9galement en mati\u00e8re de musique de chambre. Avec le flutiste Jocelyn Auburn, elle a d\u2019ailleurs enregistr\u00e9 deux disques qui ont particuli\u00e8rement \u00e9t\u00e9 bien accueillis.<\/p>\n\n\n\n
Oui, vraiment, Aline Piboule est une pianiste d\u2019exception dont la personnalit\u00e9 et l\u2019approche novatrice la placent r\u00e9solument parmi l\u2019avant-garde des interpr\u00e8tes du classique \u2026<\/p>\n\n\n\n
Aline Piboule Schubertiade du 13 01 23 Clich\u00e9 Fr\u00e9d\u00e9ric N\u00e9grerie<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"
La schubertiade de ce 14 janvier \u00e9tait consacr\u00e9e au r\u00e9cital d\u2019une musicienne seule sur sc\u00e8ne derri\u00e8re son piano : Aline Piboule. C’est une pianiste engag\u00e9e, attach\u00e9e \u00e0 la transmission aux jeunes et au partage avec le public. Ce concert a r\u00e9v\u00e9l\u00e9 combien elle r\u00e9unit gr\u00e2ce, talent et empathie. Empathie Au premier…<\/p>\n","protected":false},"author":15,"featured_media":8952,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[248,266],"tags":[],"class_list":["post-8945","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique","category-sceaux","entry","simple"],"yoast_head":"\n
Aline Piboule au piano : gr\u00e2ce, talent et empathie - La Gazette<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sceaux-lagazette.fr\/index.php\/2023\/02\/21\/aline-piboule-au-piano-grace-talent-et-empathie\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aline Piboule au piano : gr\u00e2ce, talent et empathie - La Gazette\" \/>\n<meta property=\"og:description\" content=\"La schubertiade de ce 14 janvier \u00e9tait consacr\u00e9e au r\u00e9cital d\u2019une musicienne seule sur sc\u00e8ne derri\u00e8re son piano : Aline Piboule. C’est une pianiste engag\u00e9e, attach\u00e9e \u00e0 la transmission aux jeunes et au partage avec le public. Ce concert a r\u00e9v\u00e9l\u00e9 combien elle r\u00e9unit gr\u00e2ce, talent et empathie. 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