{"id":8644,"date":"2023-01-20T09:30:00","date_gmt":"2023-01-20T08:30:00","guid":{"rendered":"https:\/\/sceaux-lagazette.fr\/?p=8644"},"modified":"2023-01-19T18:41:33","modified_gmt":"2023-01-19T17:41:33","slug":"conference-la-souffrance-la-douleur-et-la-mort-les-obsessions-de-munch","status":"publish","type":"post","link":"https:\/\/sceaux-lagazette.fr\/index.php\/2023\/01\/20\/conference-la-souffrance-la-douleur-et-la-mort-les-obsessions-de-munch\/","title":{"rendered":"Conf\u00e9rence : La souffrance, la douleur et la mort : les obsessions de Munch"},"content":{"rendered":"\n

Le 30 novembre 2022, Christian Monjou d\u00e9veloppait le th\u00e8me : \u00ab Munch : pour une esth\u00e9tique du cri <\/em>\u00bb lors d\u2019une conf\u00e9rence consacr\u00e9e au peintre norv\u00e9gien, \u00e0 l\u2019ancienne Mairie de Sceaux, dans le cadre des rencontres litt\u00e9raires et artistiques de Sceaux.<\/p>\n\n\n\n

Conf\u00e9rencier r\u00e9put\u00e9, Christian Monjou, ancien professeur de chaire sup\u00e9rieure en kh\u00e2gne B\/L au lyc\u00e9e Henri IV, qui a \u00e9t\u00e9 \u00e0 ce titre professeur principal en kh\u00e2gne d\u2019Emmanuel Macron au lyc\u00e9e Henri IV. Il est agr\u00e9g\u00e9 de l\u2019Universit\u00e9 et ancien charg\u00e9 de cours d\u2019agr\u00e9gation \u00e0 Normal Sup de la rue d\u2019Ulm. Il est enseignant chercheur \u00e0 Oxford et ancien laur\u00e9at de la Fondation Besse, sp\u00e9cialiste des civilisations anglo-saxonnes. Son approche g\u00e9n\u00e9rale consiste \u00e0 utiliser le d\u00e9tour de l\u2019art (arts plastiques, th\u00e9\u00e2tre, op\u00e9ra) pour \u00e9voquer des probl\u00e9matiques manag\u00e9riales telles que le leadership, la relation \u00e0 l\u2019autre, l\u2019innovation et la concurrence positive, l\u2019interculturel, etc\u2026 \u00c0 travers ses conf\u00e9rences, il analyse les liens entre le management, les \u0153uvres d\u2019art et leurs auteurs.<\/p>\n\n\n\n

\"\"
Autoportrait d’Edvard Munch 1882 source : Wikim\u00e9dia Commons<\/figcaption><\/figure>\n\n\n\n

Au fil de la conf\u00e9rence, l\u2019auditeur comprend \u00e0 quel point toutes les \u0153uvres d\u2019Edvard Munch sont marqu\u00e9es par la souffrance, la maladie, la mort, et l\u2019angoisse de la vie.<\/strong><\/p>\n\n\n\n

Notre conf\u00e9rencier d\u00e9bute son propos en insistant sur la sombre destin\u00e9e d\u2019Edvard Munch, de sant\u00e9 fragile qui, d\u00e8s l\u2019enfance voit sa m\u00e8re et sa s\u0153ur gravement malades, qui est en proie aux id\u00e9es sombres et qui conna\u00eetra de nombreux \u00e9pisodes de d\u00e9pression durant sa courte vie. Cela l\u2019a conduit \u00e0 traduire avec lyrisme la mort et l\u2019angoisse dans son \u0153uvre. Il a le don d\u2019interpeller l\u2019observateur.<\/p>\n\n\n\n

N\u00e9 en 1863, Edvard perd en effet sa m\u00e8re d\u00e8s 1868 et sa s\u0153ur Sophie en 1877, toutes deux de la tuberculose. Sa premi\u00e8re toile \u00ab L’ enfant malade<\/em> \u00bb \u00e9voque clairement la fin de vie de sa s\u0153ur. Elle a fait un v\u00e9ritable scandale, la jeune fille mourante mais paisible, sa tante abattue, impuissante, \u00e0 ses c\u00f4t\u00e9s.<\/p>\n\n\n\n

Le clich\u00e9 de 1902 qui ouvre la projection au soutien de la conf\u00e9rence r\u00e9v\u00e8le un Edvard tr\u00e8s europ\u00e9en d\u2019apparence, mais aussi de culture, car il a fait ses universit\u00e9s \u00e0 Paris o\u00f9 il s\u00e9journe \u00e0 maintes reprises comme en Allemagne, \u00e0 Berlin et \u00e0 L\u00fcbeck, principalement.<\/p>\n\n\n\n

De la suite dans les id\u00e9es, ou plut\u00f4t, dans les obsessions\u2026<\/strong><\/p>\n\n\n\n

Le conf\u00e9rencier insiste sur la solitude, l\u2019isolement choisi par l\u2019artiste et nous d\u00e9crit un homme de s\u00e9ries : pastels sur carton, peintures, gravures, aquarelles, dessins, \u00e9tudes : tous ces supports seront mis \u00e0 contribution pour ses centaines d\u2019autoportraits dont au moins 70 huiles.<\/p>\n\n\n\n

Pour le c\u00e9l\u00e9brissime \u00ab Le cri \u00bb, toile la plus ch\u00e8rement vendue aux ench\u00e8res le 2 mai 2012 (120 millions de dollars), qui reste aujourd’hui la cinqui\u00e8me toile la plus ch\u00e8rement vendue aux ench\u00e8res, il cerne progressivement son sujet, travail apr\u00e8s travail et en utilisant plusieurs supports : il produit d\u2019abord un pastel sur carton, il dessine, il peint pour arriver progressivement \u00e0 l\u2019\u0153uvre finale.<\/p>\n\n\n\n

Il \u00e9crira alors : \u00ab  M\u2019arr\u00eatant, je m\u2019appuyai \u00e0 la balustrade, presque mort de fatigue. Au-dessus du fjord bleu noir pendaient des nuages, rouges comme du sang et comme des langues de feu. Mes amis s\u2019\u00e9loignaient, et, seul, tremblant d\u2019angoisse, je pris conscience du grand cri infini de la nature<\/em> \u00bb.(Edvard Munch, La revue blanche<\/em>, 15 novembre 1895).<\/p>\n\n\n\n

\"\"
Vampire Edvard Munch 1893-1894 Source : Wikim\u00e9dia Commons<\/figcaption><\/figure>\n\n\n\n

Sa fascinante toile intitul\u00e9e \u00ab Vampire<\/em> \u00bb a elle aussi fait l\u2019objet d\u2019une grande s\u00e9rie avec des variations. Ce sera la m\u00eame  chose avec la mort de sa s\u0153ur a\u00een\u00e9e ou les passants hagards sur l\u2019avenue Karl Johan d\u2019Oslo, art\u00e8re principale de la capitale norv\u00e9gienne.<\/p>\n\n\n\n

Lorsqu\u2019il peint l\u2019huile qui termine une s\u00e9rie, il d\u00e9montre qu\u2019il estime avoir trouv\u00e9 exactement ce qu\u2019il a progressivement \u00e9labor\u00e9, qu\u2019il a abouti.<\/p>\n\n\n\n

En ce sens, cet artiste recherche une sorte de perfection.<\/p>\n\n\n\n

La toile morbide \u00ab Soir\u00e9e sur l\u2019avenue Karl Johan<\/em> \u00bb est en quelque sorte le chef de file des \u0153uvres dans lesquelles les humains sont montr\u00e9s comme de v\u00e9ritables zombis aux regards fixes et hagards et aux yeux exorbit\u00e9s qui traduisent la m\u00e9fiance de l\u2019artiste envers ses semblables quasiment assimil\u00e9s \u00e0 des fant\u00f4mes. Ces personnages semblent errer m\u00e9caniquement, coll\u00e9s les uns aux autres, un peu comme les zombis du clip vid\u00e9o de Mickael Jackson sur son morceau \u00ab Thriller \u00bb.<\/p>\n\n\n\n

\"\"
Le cri Edvard Munch 1893 Source : Wikim\u00e9dia Commons<\/figcaption><\/figure>\n\n\n\n

Sa toile \u00ab Anxi\u00e9t\u00e9<\/em> \u00bb met en sc\u00e8ne les zombis de la toile pr\u00e9c\u00e9dente sur le quai qui surplombe le fjord d\u2019Oslo qui a servit de d\u00e9cor au \u00ab cri \u00bb. L\u2019artiste a d\u00e9cid\u00e9ment de la suite dans les id\u00e9es, ou plut\u00f4t, dans ses obsessions\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Le 30 novembre 2022, Christian Monjou d\u00e9veloppait le th\u00e8me : \u00ab Munch : pour une esth\u00e9tique du cri \u00bb lors d\u2019une conf\u00e9rence consacr\u00e9e au peintre norv\u00e9gien, \u00e0 l\u2019ancienne Mairie de Sceaux, dans le cadre des rencontres litt\u00e9raires et artistiques de Sceaux. Conf\u00e9rencier r\u00e9put\u00e9, Christian Monjou, ancien professeur de chaire sup\u00e9rieure en kh\u00e2gne B\/L au…<\/p>\n","protected":false},"author":15,"featured_media":8646,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[257],"tags":[],"class_list":["post-8644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-peinture","entry","simple"],"yoast_head":"\nConf\u00e9rence : La souffrance, la douleur et la mort : les obsessions de Munch - La Gazette<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sceaux-lagazette.fr\/index.php\/2023\/01\/20\/conference-la-souffrance-la-douleur-et-la-mort-les-obsessions-de-munch\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conf\u00e9rence : La souffrance, la douleur et la mort : les obsessions de Munch - La Gazette\" \/>\n<meta property=\"og:description\" content=\"Le 30 novembre 2022, Christian Monjou d\u00e9veloppait le th\u00e8me : \u00ab Munch : pour une esth\u00e9tique du cri \u00bb lors d\u2019une conf\u00e9rence consacr\u00e9e au peintre norv\u00e9gien, \u00e0 l\u2019ancienne Mairie de Sceaux, dans le cadre des rencontres litt\u00e9raires et artistiques de Sceaux. 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