{"id":46789,"date":"2026-09-25T08:30:44","date_gmt":"2026-09-25T06:30:44","guid":{"rendered":"https:\/\/sceaux-lagazette.fr\/?p=46789"},"modified":"2026-09-24T23:41:31","modified_gmt":"2026-09-24T21:41:31","slug":"un-corps-a-soi-virginie-rasmont-au-pavillon-des-arts","status":"publish","type":"post","link":"https:\/\/sceaux-lagazette.fr\/index.php\/2026\/09\/25\/un-corps-a-soi-virginie-rasmont-au-pavillon-des-arts\/","title":{"rendered":"\u00ab Un corps \u00e0 soi \u00bb : Virginie Rasmont au Pavillon des Arts"},"content":{"rendered":"\n

Du 1er septembre au 10 octobre, le Pavillon des Arts de Ch\u00e2tenay-Malabry accueille Un corps \u00e0 soi, une exposition de l\u2019artiste Virginie Rasmont. Entre aquarelles et travaux sur toile, elle s\u2019interroge sur les injonctions qui fa\u00e7onnent nos regards et invite chacun \u00e0 se r\u00e9approprier son enveloppe corporelle.<\/p>\n\n\n\n

Des courbes qui s\u2019entrem\u00ealent, des touches de rose, d\u2019ocre ou d\u2019orang\u00e9 et, parfois, ce qui ressemble \u00e0 la silhouette d\u2019un corps. \u00c0 moins qu\u2019il ne s\u2019agisse d\u2019une feuille, d\u2019une fleur ou m\u00eame d\u2019un papillon. Au Pavillon des Arts, Virginie Rasmont laisse  planer le doute. Si le corps, et notamment le corps f\u00e9minin, traverse son travail, il n\u2019est presque jamais repr\u00e9sent\u00e9 explicitement. \u00ab J\u2019ai besoin que chacun puisse s\u2019approprier et se connecter \u00e0 ce qu\u2019il voit <\/em>\u00bb, explique l\u2019artiste.<\/p>\n\n\n\n

Le corps, loin des injonctions<\/h2>\n\n\n\n

Docteure en pharmacie avant de s\u2019orienter vers \u00ab l\u2019univers de la beaut\u00e9<\/em> \u00bb,Virginie Rasmont a longtemps \u00e9volu\u00e9 dans des domaines o\u00f9 le corps occupe une place centrale. De cette exp\u00e9rience est n\u00e9e une r\u00e9flexion sur les normes esth\u00e9tiques qui p\u00e8sent sur lui, particuli\u00e8rement lorsqu\u2019il s\u2019agit du corps f\u00e9minin.<\/p>\n\n\n\n

Avec Un corps \u00e0 soi<\/em>, elle propose de s\u2019en affranchir. Au c\u0153ur de son travail se trouve \u00ab la libert\u00e9 de vivre le corps que l\u2019on a<\/em> \u00bb, de se le r\u00e9approprier et de l\u2019accepter jusque dans les \u00e9preuves qu\u2019il peut traverser.<\/p>\n\n\n\n

Cette r\u00e9flexion d\u00e9passe les murs de son atelier. \u00c0 travers un podcast<\/a>, Virginie Rasmont recueille \u00e9galement la parole de femmes et d\u2019hommes sur leur rapport au corps, leurs difficult\u00e9s comme leurs exp\u00e9riences plus heureuses. Elle \u00e9change aussi avec des professionnels, m\u00e9decins ou sociologues. Autant de t\u00e9moignages qui viennent, \u00e0 leur tour, nourrir sa cr\u00e9ation plastique.<\/p>\n\n\n\n

Les couleurs racontent diff\u00e9rentes exp\u00e9riences du corps et du temps. Les palettes ros\u00e9es et pastel \u00e9voquent pour elle l\u2019adolescence et son insouciance ; les ocres et les orang\u00e9s, la puissance de l\u2019\u00e2ge adulte ; les teintes plus sombres, du bleu marine au noir, accompagnent davantage l\u2019id\u00e9e de sagesse.<\/p>\n\n\n\n

\u00ab Je revendique la lenteur \u00bb<\/h2>\n\n\n\n

Derri\u00e8re la douceur apparente des \u0153uvres se cache un travail patient, fait de gestes r\u00e9p\u00e9t\u00e9s et de longues heures de recherche. Lors du vernissage, le maire de Ch\u00e2tenay-Malabry, Carl Segaud f\u00e9licitait ce travail d\u2019artiste \u00ab entre douceur et puissance<\/em> \u00bb. Deux notions auxquelles Virginie Rasmont se montre particuli\u00e8rement attach\u00e9e : \u00ab Je dis toujours que tout est possible avec la douceur<\/em>. \u00bb<\/p>\n\n\n\n

\u00c0 rebours d\u2019un quotidien domin\u00e9 par l\u2019imm\u00e9diatet\u00e9, l\u2019artiste assume le temps n\u00e9cessaire \u00e0 la cr\u00e9ation : \u00ab J\u2019essaie autant que faire se peut de faire l\u2019\u00e9loge de la lenteur dans un monde o\u00f9 aujourd\u2019hui tout va tr\u00e8s vite.<\/em> \u00bb Avant de r\u00e9sumer simplement : \u00ab Je revendique la lenteur.<\/em> \u00bb<\/p>\n\n\n\n

L\u2019exposition est l\u2019aboutissement de plusieurs ann\u00e9es de recherches, de premiers travaux sur papier jusqu\u2019aux cr\u00e9ations sur toile. Elle constitue aussi une rupture avec la solitude de l\u2019atelier : montrer ses \u0153uvres transforme un travail profond\u00e9ment individuel en un moment de partage et de transmission.<\/p>\n\n\n\n

Du corps \u00e0 l\u2019empreinte<\/h2>\n\n\n\n

Dans Empreinte<\/em>, deux \u0153uvres r\u00e9alis\u00e9es dans le contexte d\u2019Octobre rose, Virginie Rasmont questionne le temps qui passe et ce que l\u2019\u00eatre humain laisse derri\u00e8re lui. Le corps devient alors le point de d\u00e9part d\u2019une interrogation sur \u00ab la dualit\u00e9 entre le visible et l\u2019invisible<\/em> \u00bb et \u00ab la trace qui reste quand on n\u2019est plus<\/em> \u00bb.<\/p>\n\n\n\n

Cette attention port\u00e9e \u00e0 la maladie se traduit \u00e9galement par une collaboration avec Gustave-Roussy afin de faire entrer l\u2019art dans l\u2019univers hospitalier. Une d\u00e9marche qui vise notamment \u00e0 apporter aux patients et \u00e0 leurs proches une exp\u00e9rience \u00e9motionnelle diff\u00e9rente au sein d\u2019un environnement m\u00e9dical.<\/p>\n\n\n\n

Mais Un corps \u00e0 soi<\/em> raconte aussi une \u00e9volution. \u00c0 mesure que l\u2019on avance dans les cr\u00e9ations de Virginie Rasmont, les silhouettes semblent progressivement s\u2019effacer. Les formes deviennent plus v\u00e9g\u00e9tales, plus minimales. L\u2019artiste revendique elle-m\u00eame cette transformation : elle souhaite d\u00e9sormais d\u00e9passer la seule enveloppe physique pour s\u2019int\u00e9resser aux origines de la vie, \u00e0 la nature et \u00e0 sa \u00ab puissance cr\u00e9atrice \u00bb.<\/p>\n\n\n\n

Le corps n\u2019\u00e9tait peut-\u00eatre, finalement, qu\u2019un point de d\u00e9part. Car derri\u00e8re les courbes et les couleurs, Virginie Rasmont cherche surtout \u00ab \u00e0 laisser au visiteur la libert\u00e9 de regarder, de ressentir et d\u2019imaginer<\/em> \u00bb. Et, peut-\u00eatre, d\u2019entrevoir pour lui-m\u00eame un possible auquel il n\u2019avait pas encore pens\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

Du 1er septembre au 10 octobre, le Pavillon des Arts de Ch\u00e2tenay-Malabry accueille Un corps \u00e0 soi, une exposition de l\u2019artiste Virginie Rasmont. Entre aquarelles et travaux sur toile, elle s\u2019interroge sur les injonctions qui fa\u00e7onnent nos regards et invite chacun \u00e0 se r\u00e9approprier son enveloppe corporelle. Des courbes qui…<\/p>\n","protected":false},"author":43,"featured_media":46791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[263,259],"tags":[],"class_list":["post-46789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chatenay-malabry","category-expositions","entry","simple"],"yoast_head":"\n\u00ab Un corps \u00e0 soi \u00bb : Virginie Rasmont au Pavillon des Arts - La Gazette<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sceaux-lagazette.fr\/index.php\/2026\/09\/25\/un-corps-a-soi-virginie-rasmont-au-pavillon-des-arts\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab Un corps \u00e0 soi \u00bb : Virginie Rasmont au Pavillon des Arts - La Gazette\" \/>\n<meta property=\"og:description\" content=\"Du 1er septembre au 10 octobre, le Pavillon des Arts de Ch\u00e2tenay-Malabry accueille Un corps \u00e0 soi, une exposition de l\u2019artiste Virginie Rasmont. 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