{"id":42361,"date":"2024-12-12T09:30:58","date_gmt":"2024-12-12T08:30:58","guid":{"rendered":"https:\/\/sceaux-lagazette.fr\/?p=42361"},"modified":"2024-12-12T11:36:26","modified_gmt":"2024-12-12T10:36:26","slug":"le-quatuor-citadelles-aux-musicales-de-la-vallee-aux-loups","status":"publish","type":"post","link":"https:\/\/sceaux-lagazette.fr\/index.php\/2024\/12\/12\/le-quatuor-citadelles-aux-musicales-de-la-vallee-aux-loups\/","title":{"rendered":"Le quatuor Citadelles aux Musicales de la Vall\u00e9e-aux-loups"},"content":{"rendered":"\n

Ce dimanche 8 d\u00e9cembre dans l\u2019\u00e9glise Sainte-Bathilde, Les Musicales de la Vall\u00e9e-aux-loups<\/em><\/strong> invitait le quatuor Citadelles. Dans ce quartier de Ch\u00e2tenay qui borde Sceaux et Fontenay s\u2019\u00e9taient aventur\u00e9s Rapha\u00ebl Garac, violon, Meiko Nakahira, violon, Paolo Schena, alto et Pauline Boudon, violoncelle.<\/p>\n\n\n\n

Tout s\u2019entend<\/h2>\n\n\n\n

Sainte-Bathilde, dans une faible lumi\u00e8re de l\u2019hiver qui vient, donnait une douce pr\u00e9sence aux sonorit\u00e9s .Cela se perd dans les enregistrements. La musique num\u00e9ris\u00e9e n\u2019a pas la richesse qu\u2019offrent les dimensions du lieu, avec son espace qui porte l\u2019imagination \u00e0 suivre des images, des histoires.<\/p>\n\n\n\n

On aurait dit parfois qu\u2019\u00e0 la ligne ascendante et douloureuse d\u2019un premier violon, r\u00e9pondait l’alto d\u2019un contrepoint sombre, presque rugueux. Le second violon introduisait une vibration qui d\u00e9stabilisait le motif initial, tandis que le violoncelle pulsait des notes sourdes, cr\u00e9ant un d\u00e9hanchement rythmique.<\/p>\n\n\n\n

Si le premier violon esquissait une m\u00e9lodie presque a\u00e9rienne, l’alto la d\u00e9composait d\u2019harmoniques cristallines. Le second violon intervenait comme une membrane sonore qui oscillait entre tension et apaisement. Le violoncelle maintenait une pulsation sourde, presque imperceptible.<\/p>\n\n\n\n

Il y avait comme un jeu de miroirs entre les deux violons qui se r\u00e9pondaient par des traits courts, fragment\u00e9s. L’alto apportait sa vibration plus \u00e9paisse et son registre plus grave, tandis que le violoncelle plus percussif scandait l’espace entre les sons.<\/p>\n\n\n\n

Les sept derni\u00e8res Paroles<\/h2>\n\n\n\n

Pauline Boudon, laissant derri\u00e8re elle son violoncelle, introduisit Les Sept Derni\u00e8res Paroles du Christ en Croix<\/em> de Joseph Haydn. Compos\u00e9e en 1786, c\u2019est une s\u00e9rie de sept mouvements, chacun inspir\u00e9 par l’une des sept derni\u00e8res paroles de J\u00e9sus sur la croix telles que rapport\u00e9es dans les \u00c9vangiles. L’\u0153uvre initialement \u00e9crite pour un orchestre, a \u00e9t\u00e9 port\u00e9e par Haydn en une version pour quatuor \u00e0 cordes.<\/p>\n\n\n\n

Chaque mouvement, disait-elle, capture une \u00e9motion sp\u00e9cifique li\u00e9e aux paroles de J\u00e9sus, allant de la compassion et de l’espoir \u00e0 l’angoisse et \u00e0 la r\u00e9signation. L’\u0153uvre invite \u00e0 r\u00e9fl\u00e9chir sur les th\u00e8mes intemporels de la souffrance, de la r\u00e9demption et de la paix. Rapha\u00ebl Garac, en d\u00e9but de mouvement, en annon\u00e7ait le titre.<\/p>\n\n\n\n

P\u00e8re, pardonne-leur, car ils ne savent pas ce qu’ils font<\/em> \u00e9voquait la compassion et le pardon, la mis\u00e9ricorde de J\u00e9sus. Aujourd’hui, tu seras avec moi au paradis<\/em> ouvrait sur un sentiment de r\u00e9confort et d’espoir. Femme, voici ton fils<\/em> t\u00e9moignait de l’amour de J\u00e9sus pour sa m\u00e8re. Mon Dieu, mon Dieu, pourquoi m’as-tu abandonn\u00e9?<\/em> exprimait le d\u00e9sespoir et l’angoisse de J\u00e9sus puis J’ai soif<\/em> sa vuln\u00e9rabilit\u00e9 humaine. Tout est accompli<\/em> r\u00e9sonnait comme une acceptation de la fin que concluait dans la paix retrouv\u00e9e : P\u00e8re, entre tes mains je remets mon esprit<\/em>.<\/p>\n\n\n\n

Un tremblement de terre<\/em> cl\u00f4turait les sept mouvements. Les quatre instruments \u00e9taient r\u00e9unis pour un puissant accord de gestes nerveux, de rythmes rapides et virtuoses parce que r\u00e9unis pour dire une m\u00eame anxi\u00e9t\u00e9 devant des certitudes qui se d\u00e9robent. Les violons explosaient en traits presque violents et l’alto r\u00e9pondait par des sons plus rugueux, tandis que le violoncelle pulsait comme un c\u0153ur qui palpite.<\/p>\n\n\n\n

Energie du live<\/h2>\n\n\n\n

Seule la pr\u00e9sence tout pr\u00e8s des instrumentistes donne aux lignes m\u00e9lodiques leurs si fortes r\u00e9sonances. Chaque instrument se dissout dans l’autre, les fronti\u00e8res deviennent floues et pourtant sensibles, les changements de volume, les variations de rythme alternent les atmosph\u00e8res. On trouve une surface sonore o\u00f9 le silence devient aussi velout\u00e9 que le son. C\u2019est la force vive du live.<\/p>\n\n\n\n

Et la force de Rapha\u00ebl Garac, Meiko Nakahira, Paolo Schena et Pauline Boudon.<\/p>\n\n\n\n

\n\n\n\n

Pour en savoir plus sur les concerts des Musicales de la Vall\u00e9e-aux-loups<\/em><\/h2>\n\n\n\n

https:\/\/www.vallee.aux.loups.lesmusicales92.fr<\/a><\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Ce dimanche 8 d\u00e9cembre dans l\u2019\u00e9glise Sainte-Bathilde, Les Musicales de la Vall\u00e9e-aux-loups invitait le quatuor Citadelles. Dans ce quartier de Ch\u00e2tenay qui borde Sceaux et Fontenay s\u2019\u00e9taient aventur\u00e9s Rapha\u00ebl Garac, violon, Meiko Nakahira, violon, Paolo Schena, alto et Pauline Boudon, violoncelle. Tout s\u2019entend Sainte-Bathilde, dans une faible lumi\u00e8re de l\u2019hiver…<\/p>\n","protected":false},"author":6,"featured_media":42377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[263,248],"tags":[],"class_list":["post-42361","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chatenay-malabry","category-musique","entry","simple"],"yoast_head":"\nLe quatuor Citadelles aux Musicales de la Vall\u00e9e-aux-loups - La Gazette<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sceaux-lagazette.fr\/index.php\/2024\/12\/12\/le-quatuor-citadelles-aux-musicales-de-la-vallee-aux-loups\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le quatuor Citadelles aux Musicales de la Vall\u00e9e-aux-loups - La Gazette\" \/>\n<meta property=\"og:description\" content=\"Ce dimanche 8 d\u00e9cembre dans l\u2019\u00e9glise Sainte-Bathilde, Les Musicales de la Vall\u00e9e-aux-loups invitait le quatuor Citadelles. 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