{"id":41010,"date":"2024-04-30T09:30:33","date_gmt":"2024-04-30T07:30:33","guid":{"rendered":"https:\/\/sceaux-lagazette.fr\/?p=41010"},"modified":"2024-05-03T10:08:38","modified_gmt":"2024-05-03T08:08:38","slug":"lastrophore-apostrophe-a-rosa-bonheur","status":"publish","type":"post","link":"https:\/\/sceaux-lagazette.fr\/index.php\/2024\/04\/30\/lastrophore-apostrophe-a-rosa-bonheur\/","title":{"rendered":"L\u2019Astrophore apostrophe \u00e0 Rosa Bonheur"},"content":{"rendered":"\n

FONTENAY-AUX-ROSES<\/strong> Jusqu\u2019au 5 mai, c\u2019est dimanche, le nouvel espace Rosa Bonheur au 20 avenue Jean Moulin, accueille une exposition de L\u2019Astrophore,<\/em> nom de guerre d\u2019un collectif d\u2019artistes d\u00e9cid\u00e9s \u00e0 interroger le public depuis leurs travaux aux lignes \u00e9pur\u00e9es et toujours \u00e9tranges qu\u2019on associera selon sa tendance \u00e0 l\u2019abstrait ou au conceptuel.<\/p>\n\n\n\n

Avant m\u00eame d\u2019\u00eatre inaugur\u00e9, le centre am\u00e9nag\u00e9 dans l’ancien conservatoire, tout beau tout neuf, respire de murs blancs pr\u00eats \u00e0 soutenir des toiles et d\u2019un espace o\u00f9 peuvent se disperser des sculptures. Signalons en passant que ce n\u2019est pas sa seule vocation. Pour V\u00e9ronique Ozoux, charg\u00e9e de mission Culture \u00e0 Fontenay, le centre est aussi un lieu de r\u00e9unions et d\u2019accueil d\u2019\u00e9v\u00e9nements.<\/p>\n\n\n\n

Pas de malentendu. Dans l\u2019expo en cours, celle de l\u2019Astrophore, on ne trouve ni ces chevaux, ni ces moutons, ni ce lion en famille qui inspiraient les toiles de Rosa Bonheur. La merveilleuse et m\u00e9ticuleuse artiste du XIXe si\u00e8cle \u00e9tait d\u2019un r\u00e9alisme qui, depuis, s\u2019est le plus souvent d\u00e9plac\u00e9 dans la photographie. La figuration n\u2019est pas vraiment au c\u0153ur du langage dont use L\u2019Astrophore pour apostropher<\/em> le public. Pas de pelages peints poil par poil ni de fenaisons paille par paille, mais une recherche contemporaine orient\u00e9e \u00ab vers le questionnement \u00bb, selon la formule.<\/p>\n\n\n\n

Autour de l\u2019atelier<\/h2>\n\n\n\n

L\u2019Astrophore<\/em> un groupe de neuf artistes : Caroline Anezo, Florentine Charon, Brune Doummar, Fabien Ducrot, Jules Galais, Tristan Ulysses Hutgen, Mathie Laborie, Esteban Neveu Ponce er Christophe Tabet. Ils partagent un vaste atelier situ\u00e9 \u00e0 Fontenay et une approche de l\u2019art, de sa fabrication et de ses impr\u00e9vus. Convaincus que les accidents de l\u2019\u0153uvre sont des parties de l\u2019\u0153uvre, ils font eux-m\u00eames, aiment \u00e0 former et transformer les mati\u00e8res et \u00e0 se surprendre. Le contraire de l\u2019industrie qui naturellement craint les accidents comme la peste (avec les tribunaux en perspective).<\/p>\n\n\n\n

Que ceux qui imaginent que l\u2019Astrophore regarde vers le cosmos, les plan\u00e8tes ou le zodiaque se d\u00e9trompent. Le groupe milite \u00e0 la suggestion de non-dits, de dissimul\u00e9s, de signes cach\u00e9s en eux dont ils escomptent quelque r\u00e9v\u00e9lation.<\/p>\n\n\n\n

Dans cet atelier, chacun travaille ses th\u00e8mes, selon son format, ses mati\u00e8res et ses instruments. Et pourtant, ils mettent en commun leurs exp\u00e9riences \u00ab d\u2019artisans \u00bb. Il y a une fonderie. \u00ab Quand on fait une coul\u00e9e de bronze, chacun fait sa pi\u00e8ce<\/em> \u00bb dit Christophe Tabet. Cette capacit\u00e9 \u00e0 travailler en commun n\u2019a rien d\u2019\u00e9vident. C\u2019est en cela sans doute qu\u2019ils forment un groupe. Ils sont tr\u00e8s mat\u00e9riaux, la place de la sculpture en t\u00e9moigne.<\/p>\n\n\n\n

Ils sont aussi unis par une exigence de rigueur acquise dans les \u00e9coles qui les ont form\u00e9s, les Arts-d\u00e9co, les Beaux-Arts de Paris ou de D\u00fcsseldorf. Les entretiens, bien qu\u2019abr\u00e9g\u00e9s, semblaient sugg\u00e9rer un esprit de corps.<\/p>\n\n\n\n

Au moment de ma visite, les installations n\u2019\u00e9taient pas tout \u00e0 fait termin\u00e9es. On s\u2019activait \u00e0 mettre la derni\u00e8re main. Difficile de d\u00e9ranger. Des exceptions rapides : Fabien Ducrot et Christophe Tabet. Il faudra en savoir plus. Dans leur atelier, ce serait id\u00e9al.<\/p>\n\n\n\n

Mise en sc\u00e8ne<\/h2>\n\n\n
\n
\"\"
Avoir feu et lieu, Fabien Ducrot, 2018<\/figcaption><\/figure><\/div>\n\n\n

Un travail de Fabien Ducrot \u00e9tonne, surtout quand il en parle. Deux panneaux de bois d\u2019un beau rouge ajour\u00e9s de 4000 trous forment une composition con\u00e7ue pour que d\u2019un certain point d\u2019observation, les panneaux deviennent transparents ou disons s\u2019effacent devant le jour. Pour que les orientations des trous r\u00e9pondent au projet, il a mont\u00e9 une perceuse sur un dispositif qui lui a permis d\u2019orienter l\u2019angle de percement de chacun des trous. Le maillage donne une impression de moucharabieh au travers duquel on pourrait voir sans \u00eatre vu, tout en profitant d\u2019un vent doux immisc\u00e9 dans les jours des cloisons.<\/p>\n\n\n\n

L\u2019exposition L\u2019Astrophore apostrophe<\/em> est pour Fabien Ducrot une mise en espace de travaux, arrang\u00e9s organis\u00e9s pour ce lieu-l\u00e0, Rosa Bonheur, pas un autre. En sorte qu\u2019ils \u00ab dialoguent \u00bb qu\u2019ils d\u00e9gagent une coh\u00e9rence. Laquelle ? Myst\u00e8re. Personne ne le sait d\u2019autant que chacun peut trouver ou ne pas trouver la sienne. Ils ont \u00e9labor\u00e9 la leur. Pour lui, le contexte \u00e9claire le sens, mais le but tacite en direction du public est de \u00ab d\u00e9crocher les regards \u00bb de leurs pratiques ordinaires.<\/p>\n\n\n\n

Il montre une composition de Tristan Ulysses Hutgens avec une \u00e9l\u00e9vation marbre noir prolong\u00e9e d\u2019une tige d\u2019inox et des plaques de bronze au sol rassembl\u00e9es. Entre Ducrot et lui, on est dans la froide (pudique ?) \u00e9l\u00e9gance des ambitions esth\u00e9tiques et des d\u00e9sirs d\u2019absolu. Voudraient-ils donner \u00e0 voir les traces d\u2019une pulsation impr\u00e9visible et suspendue aux al\u00e9as des coul\u00e9es de m\u00e9tal ou de comportement du bois ?<\/p>\n\n\n\n

BTP<\/h2>\n\n\n\n

Une salle \u00e0 l\u2019arri\u00e8re est consacr\u00e9e \u00e0 Christophe Tabet. Il commente ses bas-reliefs en b\u00e9ton qui furent expos\u00e9s \u00e0 la Monnaie de Paris. Les blocs sont charg\u00e9s, surcharg\u00e9s (volontairement) de formes (b\u00e2timents, v\u00e9hicules, signes et insignes). Ce faisant, \u00ab il r\u00e9interpr\u00e8te les bas-reliefs <\/em>\u00bb qui furent jadis porteurs de messages. Aujourd\u2019hui, les messages se brouillent dans un trop-plein. Ce qu\u2019il traduit par des demi-piliers au sous-entendu antique satur\u00e9s de repr\u00e9sentations. Des tiges m\u00e9talliques d\u00e9passent comme des armements de b\u00e9ton pour compl\u00e9ter la r\u00e9f\u00e9rence \u00e0 la construction.<\/p>\n\n\n

\n
\"\"
Fragments de sature, 2023-2024, Christophe Tabet<\/figcaption><\/figure><\/div>\n\n\n

Cette r\u00e9f\u00e9rence revient dans ses r\u00e9seaux \u00e9lectriques. Habituellement cach\u00e9s dans les murs (\u00ab tout en portant la lumi\u00e8re<\/em> \u00bb), les c\u00e2bles qu\u2019il a tress\u00e9s alimentent un jeu de rayons fluorescents. Une comp\u00e9tence en \u00e9lectricit\u00e9 lui a pr\u00eat\u00e9 main-forte. Ce qui confirme \u00e0 ses yeux l\u2019esprit de groupe qui anime l\u2019Astrophore. Il confie une source d\u2019inspiration : au Liban, d\u2019o\u00f9 il vient, la \u00ab ration \u00bb d\u2019\u00e9lectricit\u00e9 par habitant est de deux heures par jour ! C\u2019est pr\u00e9sent en lui. Il le dit \u00e0 sa mani\u00e8re.<\/p>\n\n\n\n

Le plasticien et la parole<\/h2>\n\n\n\n

Les mots que les deux plasticiens r\u00e9cr\u00e9ent pour expliquer ce qu\u2019ils font semblent de pauvres choses au regard de leur espoir de signifier ce qui s\u2019impose en eux. Ils n\u2019aiment pas franchement parler de leur travail ni de ce qu\u2019ils esp\u00e8rent voir jaillir de lui.<\/p>\n\n\n\n

Ils associeraient plut\u00f4t le sens et le silence. Les murs blancs de Rosa Bonheur en offrent la mat\u00e9rialit\u00e9. Le grand espace permet d\u2019isoler les pi\u00e8ces et leur sens affleure mieux au milieu des vides.<\/p>\n\n\n\n

En attendant, d\u00e9p\u00eachez-vous. Nous sommes mardi et \u00e7a se termine le dimanche qui vient.<\/p>\n\n\n\n

\n\n\n\n

Pour en savoir plus<\/h2>\n\n\n\n

Sur le groupe Astrophore<\/a>
Sur l\u2019espace Rosa Bonheur de Fontenay<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

FONTENAY-AUX-ROSES Jusqu\u2019au 5 mai, c\u2019est dimanche, le nouvel espace Rosa Bonheur au 20 avenue Jean Moulin, accueille une exposition de L\u2019Astrophore, nom de guerre d\u2019un collectif d\u2019artistes d\u00e9cid\u00e9s \u00e0 interroger le public depuis leurs travaux aux lignes \u00e9pur\u00e9es et toujours \u00e9tranges qu\u2019on associera selon sa tendance \u00e0 l\u2019abstrait ou au…<\/p>\n","protected":false},"author":6,"featured_media":41014,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[259,264],"tags":[],"class_list":["post-41010","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","category-fontenay-aux-roses","entry","simple"],"yoast_head":"\nL\u2019Astrophore apostrophe \u00e0 Rosa Bonheur - 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