{"id":3478,"date":"2021-03-09T09:00:42","date_gmt":"2021-03-09T08:00:42","guid":{"rendered":"https:\/\/sceaux-lagazette.fr\/?p=3478"},"modified":"2021-03-08T18:24:31","modified_gmt":"2021-03-08T17:24:31","slug":"albert-kahn-et-ses-globe-trotters","status":"publish","type":"post","link":"https:\/\/sceaux-lagazette.fr\/index.php\/2021\/03\/09\/albert-kahn-et-ses-globe-trotters\/","title":{"rendered":"Albert Kahn et ses globe-trotters"},"content":{"rendered":"\n

Des photographies d\u2019une \u00e9mouvante nettet\u00e9 avec de vastes panoramas ou, \u00e0 l\u2019inverse, des portraits rapproch\u00e9s, des images revenues du monde tout entier, un monde d\u2019il y a cent ans, voici ce que pr\u00e9sente l\u2019exposition Globe-trotters : les op\u00e9rateurs d’Albert Kahn autour du monde 1909-1930<\/strong>. Albert Kahn fut le banquier philanthrope, anim\u00e9 d\u2019une soif passionn\u00e9e de paix universelle. Les op\u00e9rateurs furent les photographes form\u00e9s \u00e0 la technique compliqu\u00e9e des fr\u00e8res Lumi\u00e8re, dite autochrome, qui parcoururent le monde, financ\u00e9s par le banquier, et en ramen\u00e8rent des milliers de clich\u00e9s, autant de t\u00e9moignages saisissants. L\u2019exposition se d\u00e9roule en ce moment dans le parc de Sceaux. Si vous arrivez du c\u00f4t\u00e9 de l\u2019all\u00e9e d\u2019honneur et que vous regardez le ch\u00e2teau, c\u2019est sur la gauche. Si vous arrivez vers le ch\u00e2teau par l\u2019autre c\u00f4t\u00e9, devinez.<\/p>\n\n\n\n

L\u2019amour du monde et le d\u00e9sir d\u2019en transmettre les m\u00e9moires aux g\u00e9n\u00e9rations futures devaient \u00eatre immenses chez le m\u00e9c\u00e8ne qui entreprit de cr\u00e9er des Archives de la Plan\u00e8te. Il d\u00e9p\u00eacha des op\u00e9rateurs pour qu\u2019ils saisissent des cultures \u00e9trang\u00e8res, leur demandant de courir les mers et les continents et d\u2019en rapporter films et photos. Pour conduire le tout, il s\u2019entoura d\u2019un g\u00e9ographe de talent, Jean Brunhes, professeur au Coll\u00e8ge de France, qui choisit les \u00e9tapes.<\/p>\n\n\n\n

Le d\u00e9partement des Hauts-de-Seine a con\u00e7u un site<\/a> qui montre les collections d\u2019Albert-Kahn. Les quelque 65.000 enregistrements sont class\u00e9s en fonction de l\u2019auteur, du th\u00e8me et du continent. On y d\u00e9couvre la dimension du projet. Les Archives de la Plan\u00e8te rassemblent une centaine d’heures de films et 72 000 autochromes, soit la plus importante collection au monde[1]<\/a>.<\/p>\n\n\n\n

Sc\u00e8nes anciennes donc, et pourtant d\u2019une surprenante pr\u00e9sence, incroyable m\u00eame, et on est stup\u00e9fi\u00e9 par la qualit\u00e9 des vues. On s\u2019\u00e9merveille devant le processus qui, partant des originaux, de simples plaques 6×8, num\u00e9ris\u00e9s en haute d\u00e9finition, a permis des tirages et des agrandissements au rendu parfait. On pourrait croiser ces visages d\u2019il y a 100 ans au coin de la rue, au coin d\u2019une f\u00eate, dans un village travers\u00e9 pendant un p\u00e9riple touristique. La capacit\u00e9 de l\u2019autochrome \u00e0 prendre la couleur, g\u00e9niale pour l\u2019\u00e9poque, donne une patine subtile, entre la toile en atelier et l\u2019instantan\u00e9 en ext\u00e9rieur ; sa palette donne un effet d\u2019immuable existence.<\/p>\n\n\n\n

On ne va pas d\u00e9crire tout ce qui est expos\u00e9, cela nuirait \u00e0 la n\u00e9cessit\u00e9 d\u2019y aller pour voir. En guise d\u2019aper\u00e7u, en esp\u00e9rant donner envie, quelques impressions relev\u00e9es, non pas au soleil couchant, mais un samedi vers midi, avant l\u2019ap\u00e9ritif.<\/p>\n\n\n\n

Une photographie de Rabindranath Tagore, prise en 1921. Le po\u00e8te appara\u00eet dans une majest\u00e9 quasi christique. Il resplendit dans son v\u00eatement blanc dont la force de candeur est rehauss\u00e9e par le contraste avec les fleurs foisonnantes de la roseraie. Les all\u00e9es trac\u00e9es au cordeau comme le cadre autour d\u2019une toile contrastent aussi avec sa tenue simple et traditionnelle. La photo semble prise \u00e0 Paris dans le jardin d\u2019Albert Kahn.<\/p>\n\n\n\n

Trois jeunes bergers de Serbie, d\u2019Auguste L\u00e9on encore, avec deux petites filles coiff\u00e9es d\u2019un fichu baissent d\u00e9j\u00e0 la t\u00eate et regardent le photographe en levant les yeux, tandis que le petit gar\u00e7on, le regard droit, affiche une fi\u00e8re arrogance et on sent que ses quelques ann\u00e9es d\u2019existence l\u2019ont d\u00e9j\u00e0 fa\u00e7onn\u00e9 pour le r\u00f4le de m\u00e2le dominant ou pour celui de guerrier qui laissera \u00e0 vingt ans, avant d\u2019avoir domin\u00e9 quiconque, la peau et les os sur un champ de bataille.<\/p>\n\n\n\n

Fr\u00e9d\u00e9ric Gadmer a fait le portrait d\u2019un homme \u00e0 la figure triste et digne, sereine, les bras crois\u00e9s, posant dans un habitat (peut-on l\u2019appeler habitat ?) creus\u00e9 dans un tronc d\u2019arbre. Il est pourtant honorablement ferm\u00e9 de volets en bois et il est comme attenant \u00e0 une masure. La pi\u00e8ce dans le tronc \u00e9tait-elle une extension ? Un b\u00e9n\u00e9fice tir\u00e9 de l\u2019arbre sous forme d\u2019une pi\u00e8ce suppl\u00e9mentaire ?<\/p>\n\n\n\n

Le commentaire de la photo h\u00e9site sur le statut de l\u2019homme, r\u00e9fugi\u00e9 ou ermite, autant dire entre des situations sans rapport. Sait-on si la nature y est r\u00e9ellement ravag\u00e9e ou simplement pauvre.<\/p>\n\n\n\n

Des villageois de 1926, en habit de samoura\u00efs, sont accoutr\u00e9s pour une f\u00eate d\u2019automne c\u00e9l\u00e9brant Tokugawa Ieyasu, l\u2019unificateur du Japon, recr\u00e9ant l’escorte de 1000 hommes qui accompagna la d\u00e9pouille de Ieyasu jusqu’au mausol\u00e9e de Toshogu. C\u2019est une f\u00eate qui continue de nos jours avec des d\u00e9monstrations traditionnelles guerri\u00e8res, comme le tir \u00e0 l’arc long et le tir \u00e0 l’arc \u00e0 cheval. Et ces hommes, au visage et \u00e0 l\u2019allure si pr\u00e9sents, on les dirait pr\u00eats pour la prochaine procession.<\/p>\n\n\n\n

Des cowboys du Canada, 1926, encore, apportent une note amusante au cort\u00e8ge de photos souvent graves. L\u2019\u00e9tranget\u00e9 de leurs tenues, \u00e0 la fois costumes de western et d\u2019habits de ville ordinaires, conf\u00e8re aux personnages une r\u00e9alit\u00e9 ambigu\u00eb. Ils tiennent une pose tr\u00e8s fixe pour des hommes qu\u2019on attend le lasso \u00e0 la main criant des yahoo ! Mais le proc\u00e9d\u00e9 de l\u2019autochrome imposait de longs temps de prise, ce qui explique sans doute les attitudes franches et comme in\u00e9branlables.<\/p>\n\n\n\n

Il y en a bien d\u2019autres\u2026 que vous d\u00e9couvrirez dans l\u2019expo. Situ\u00e9e en ext\u00e9rieur dans le parc, elle est accessible tous les jours. Pour ceux qui, malgr\u00e9 tout, ne peuvent pas s\u2019y rendre, le site<\/a> en donne une excellente id\u00e9e. Mais, croyez-moi, la grande taille des photos expos\u00e9es donne des sensations d\u2019\u00e9vidence, de vie, qui ne se retrouvent pas sur internet.<\/p>\n\n\n\n

\n\n\n\n

[1]<\/a> Pour des d\u00e9tails voir le site<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Des photographies d\u2019une \u00e9mouvante nettet\u00e9 avec de vastes panoramas ou, \u00e0 l\u2019inverse, des portraits rapproch\u00e9s, des images revenues du monde tout entier, un monde d\u2019il y a cent ans, voici ce que pr\u00e9sente l\u2019exposition Globe-trotters : les op\u00e9rateurs d’Albert Kahn autour du monde 1909-1930. Albert Kahn fut le banquier philanthrope,…<\/p>\n","protected":false},"author":6,"featured_media":3479,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[59],"tags":[],"class_list":["post-3478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portraits","entry","simple"],"yoast_head":"\nAlbert Kahn et ses globe-trotters - La Gazette<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sceaux-lagazette.fr\/index.php\/2021\/03\/09\/albert-kahn-et-ses-globe-trotters\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Albert Kahn et ses globe-trotters - La Gazette\" \/>\n<meta property=\"og:description\" content=\"Des photographies d\u2019une \u00e9mouvante nettet\u00e9 avec de vastes panoramas ou, \u00e0 l\u2019inverse, des portraits rapproch\u00e9s, des images revenues du monde tout entier, un monde d\u2019il y a cent ans, voici ce que pr\u00e9sente l\u2019exposition Globe-trotters : les op\u00e9rateurs d’Albert Kahn autour du monde 1909-1930. 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